Puerto Rican tenor Carlos Feliciano has been described as “a commanding presence”. DC Metro Arts wrote “his direct and clearer tenor voice is the perfect vehicle of his ‘leading romantic man’ persona”. A proponent of new music, the tenor understudied the main tenor role in the world premiere of El Pasado Nunca se Termina, which toured at Lyric Opera of Chicago and San Diego Opera. Other credits include Edgardo in Lucia di Lammermoor, Il Duca di Mantova in Rigoletto, Ernesto in Don Pasquale, Male Chorus in The Rape of Lucretia, Tamino in Die Zauberflöte, Don Ottavio in Don Giovanni, Ferrando in Cosí fan tutte, Conte Almaviva in Il barbiere di Siviglia, Fenton in Fallstaff, Chevalier de la Force in Dialogues of the Carmelites, King Kaspar in Amahl and the Night Visitors, Don Curzio in Le nozze di Figaro, Messaggiero in Aida and Philistine Messenger in Samson et Dalila.
Mr. Feliciano has performed as a soloist with Lyric Opera of Chicago’s Canciones y arias; a cantar con toda el alma, and has received numerous awards, including first place at the Five Towns Music and Arts Foundation, fifth place in the Southwest Vocal Competition and finalist at the Violetta DuPont Voice Competition He was a resident artist at Pittsburgh Opera and a young artist at New Jersey Opera.
His 2017-21018 engagements include the role of Pluto in Western Plain’s Opera production of Orpheus in the Underworld and covering the role of Faust with St. Petersburg Opera.
FAUST 2017 – FAUST COVER