Caroline Tye is thrilled to be returning to Saint Petersburg Opera, having made her SPO debut last season as Mercédès in Bizet’s Carmen.
Recent opera credits include the title role in Carmen with Delaware Valley Opera, Madame de Haltière in Utopia Opera’s Cendrillon, the title role in Bronx Opera’s La Cenerentola, Mother Goose in Stravinski’s The Rake’s Progress, Dido in Dido and Aeneas, Florence Pike in Albert Herring, Isabella in L’Italiana in Algeri, Jo March in Little Women, Ulrica in Un ballo in maschera, Dalila in Samson et Dalila, Miss Pooder in Pasatieri’s Hotel Casablanca, Adalgisa in Norma, Lola in Cavalleria rusticana, Dorabella in Così fan tutte, and Maddalena in Rigoletto.
Past Play and Musical Theater roles include Zerbinetta in Molière’s The Scoundrel Scapin, Rebecca Hershkowitz in Stephen Schwartz’s Rags, Titania in Shakespeare’s A Midsummer Night’s Dream, and Gussie in Stephen Sondheim’s Merrily We Roll Along.
Other opera roles include Mary (Der fliegende Holländer), Olga (Eugene Onegin), Cornelia (Giulio Cesare in Egitto), The Third Lady (Die Zauberflöte), Dame Quickly (Falstaff), Idamante (Idomeneo), and The Muse/Nicklausse (Les Contes d’Hoffmann).
Caroline received her Masters in Music from Boston Conservatory, and is a student of Lenora Eve.
INTO THE WOODS 2017 – THE BAKER’S WIFE
CARMEN 2015 – MERCEDES and CARMEN COVER